Details
How Hard Can It Be?
It isn’t hard at all but it does require a different mindset to most of the other tasks undertaken by the film director.
No matter how visual or action driven your movie may be, the characters are the conduits through which you ultimately connect with your audience. Knowing how to recognize and encourage depth and believability in the actors’ portrayals sets a director ahead
of those who function at just the technical level.
How Do Actors Work?
The truth is they are all potentially different in how they prepare and what they need from a director in both pre-production and on set. The more you work with actors the greater your ability will become to identify and address those needs.
However, one thing remains common to all. They need to know what a director’s vision and needs are. This is best achieved through clear succinct and dynamic communication. Knowing what to say, how much to say and when to shut up is vital in helping the actors
connect with your ideas.
About the Course
The weekend class with Chris Thomas will provide you with some fundamental skills and a number of proven approaches to working with actors regardless of their style and approach.
Working live with professional actors on a number of different scenarios, using scripts and improvisation, we will look at the preparation stages including how to direct at a casting and use rehearsal time to its fullest, without killing the energy you will need for when the camera is rolling
Creating and maintaining the creative bond between the director and the cast is both vital and fragile, we will look at simple ways the director can protect this bond and keep it at the forefront of their attention.
We will then bring the camera into play and look at how to make the most of the frame to enhance performance and also how to direct actors under the pressure of production.
Who Should Attend?
Filmmakers, directors, performers seeking to understand and enhance their skills working with actors for the screen.
Outline
- What makes a great screen performance?
- The Director/Actor Relationship
- Actors’ tools and training
- Preparing to meet actors.
- What is a Character?
- The Director in Casting
- The Script Read
- Planning Rehearsal - What to Rehearse and Why.
- Rehearsal Tools
- Directing The Character
- Staging the Scene and Blocking the Action
- How the camera affects performance.
- Business and endowment
- Keeping performances dynamic and the actors engaged.
- Keeping the set as a creative environment.
- What to ask for in a new take.
- Maintaining Continuity - Emotional and Physical
Speaker/s
Chris Thomas has been teaching and developing courses for film directing with Raindance since 2000. With a strong emphasis on storytelling and communications skills, he has created classes both practical and inspirational. The camera classes he runs place weight upon storytelling and understanding visual grammar from a psychological and creative perspective. Chris has recently shot a teaser trailer for the upcoming psychological thriller, Dead of Winter, a short called Emmas Last Date, and is in development on his feature script The Devil You Don’t, a dark comedy about the power of influence and the battle between the nearly good and the fairly evil.
Special Offer
Listed by Variety as one of the world’s top 50 "unmissable film festivals", Raindance Film Festival showcases features and shorts by filmmakers from around the world to an audience of film executives and buyers, journalists, film fans and filmmakers.
Throughout the year, Raindance runs evening and weekend film training courses covering everything from producing, directing, screenwriting, technical crafts (e.g. lighting, sound, editing), and hosts international guest tutors such as Academy Award nominee Guiellermo Arriaga and screenwriting coach to the studios John Truby.
Raindance also offers an M.A/M.SC Film prograduate programme, both London-based and online.